ENGLISH

How to Make the Body: Difference, Identity, and Embodiment

By Jennifer L. Creech; Thomas O. Haakenson (editors)

Book information

Publisher
Bloomsbury Visual Arts
Year
2022
ISBN
9781350194045, 9781350194076, 9781350194052
Language
english
Format
PDF
Filesize
114 MB (119216862 bytes)
Pages
\277
Time added
2023-05-22 06:18:42

Description

How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate “the body” through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant—and potentially disruptive—diversification and transformation. Cover Halftitle page Series page Title page Copyright page Contents Illustrations Acknowledgements Notes on Contributors Introduction: How to Make the Body “What Is the Matter with these Germans?” What Is “The Body”? Chapter Overview 1 Arousal, the Bible, and Bruegel’s Codpieces: The Male Body in Early Modern Visual Culture Arousal in German Print Similar Interests in the Male Body Bruegel’s Codpieces 2 The Construction of the Aryan Body in German Visual Advertising, 1908–33 3 Group Zero: Transforming Trauma into Transcendence 4 RAF Corpse Art: The Resistant and Recuperative Body: Aesthetics of Diffusion and the Rote Armee Fraktion (RAF)/Red Army Faction Perpetrators and Victims: On the Functionalization of Iconic Corpses Inconceivable Corpses: Ernst Volland’s Burnt Images and Gerhard Richter’s October 18, 1977 Return of the Dead: Hans-Peter Feldmann’s Tomb Vanishing Corpses: Where are they Now? 5 Penis-bodied Specimens in Körperwelten (Body Worlds) 6 For the Porn Connoisseur: Cinema Joy Porn and Feminism Cinema Joy: “If you can dream it, you can do it.”—Walt Disney (quoted in Female Fantasies) “She Calls the Shots”: Let’s celebrate female orgasms! Cruising: “No wimpy, limpy gimps.” Porn as Therapy 7 Orientalized Bodies at Work: Cultural Zaniness in Berlin’s Sayonara Tokyo Revue 8 Ai Weiwei’s Body in Berlin The Chinese Avant-garde Ai Weiwei in Berlin The Aesthetic Affect Conclusion 9 Afrolocken: Natural Hair in German Literature and Media 10 Poppthority: The Politics of Dr. Bitch Ray’s Bodily Negotiations 11 Becoming Invisible/Against Visibility: Hito Steyerl’s How Not to Be Seen: A Fucking Educational .MOV File Those Who Watch: A Surveillance Society Lesson I: “How to Make Something Invisible for a Camera” Lesson II: “How to Be Invisible in Plain Sight” Lesson III: “How to Become Invisible by Becoming a Picture” Lesson IV: “How to Be Invisible by Disappearing” Lesson V: “How to Become Invisible by Merging into a World Made of Pictures” Conclusion Index Plates

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