ENGLISH

Passing and Posing between Black and White: Calibrating the Color Line in U.S. Cinema

By Lisa Gotto

Book information

Publisher
Transcript Verlag
Year
2021
ISBN
9783839453377
DOI
10.1515/9783839453377
Language
english
Format
PDF
Filesize
10 MB (10467915 bytes)
Pages
250\242
Library
degruyter.com
Time added
2023-08-21 11:38:25

Description

Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.

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